'according to usage and conventions which are at last being questioned but have by no means been overcome - men act and women appear. Men look at women. Women watch themselves being looked at’ (Berger 1972, 45, 47)
Discuss this quote with reference to one work of art and one work from the contemprary media.
Discuss this quote with reference to one work of art and one work from the contemprary media.
When you first look
at a piece of art or a subject of any kind, you see more than just the subject
itself- you see your relationship to it. As a spectator, you can stand back
from the image and judge the objects depicted there. You can purchase that
painting and own the image of the object.
In Berger’s book
‘Ways of Seeing’, written in 1972, he writes that ‘men act and women
appear. Men look at women. Women watch themselves being looked at’
(1972, p.45, 47) He writes that women are hold passive roles in art and culture
and that they have been put their to be looked upon by men.
During the Italian
Renaissance, the female nude became the main subject of art. She was always
depicted within a mythological framework to pull her away from reality and this
painting by Velazquez shows this standard theme of the female nude.
The woman lying on
the bed is Venus and the boy holding the mirror is her son, Cupid.
Venus is depicted
here in quite a sensual pose- the viewer able to look at her body without any
of the subjects in the painting looking back. Although the mirror is positioned
so that Venus may see her audience, Velazquez has painted her face so
indistinct that you cannot be sure of where she is looking. She could be
admiring her own face and so the viewer may hold contempt over Venus’ vanity
and see her as a creature of his possession- simultaneously admiring and
pejorative, but always as something he owns.
John Berger comments
on this subject that ‘the decontextualized woman, engaged in no activity other
than narcissistic self-contemplation, evokes our interest in narrative
speculation.’
The H&M swimwear
model is mirroring the pose of the ‘inactive’ female in this advert. Her gaze
is directed at the viewer but it is inviting you to look at her. Her body is
positioned to show her body shape to its advantage and her gaze shows that she
knows an audience is watching her and she is letting them. She is the passive
figure of European art in our society today.
Velazquez- Rokeby Venus, 1650
H&M swimwear campaign 2011
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